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Critiques and Thought | Islamic Themes | Human Condition & Social Context | Scientific Domain | Interfaith, Intercivilizational & Intercultural | Interviews, Reviews and Events


Introduction

By Ahmed Ebeed

February 27, 2005

The art of every people constitutes part of their culture as well as their pride. Arabic calligraphy is the central original Islamic art, which our ancestors mastered. They perfected its scripts, designs, and decorations, turning it into a great and eternal art. Throughout history, Arabic calligraphy has reflected the essence of our Arab and Islamic art, mirroring its spirit and nature and representing its progress. Arabic calligraphy has managed to be a genuine expression of each age in the history of Arabic and Islamic art and has been a living and developing creation, passing through different stages of change and with many types.

Some of the scripts died out because of their inability to develop. Other types, however, interacted directly with the people’s’ lives, and their letters crystallized the genius of Muslim and Arabic art, reaching the climax of beauty and the peak of creativity. No other people has ever handled writing in such an artistic way. Arabic calligraphy turned into the origin of all arts, thanks to the fact that it derives its nobility and greatness from the Qur’anic verses.

However, unfortunately, while other cultures became interested in this art form, we as Arabs and Muslims overlooked this great art, which is closely related to Islam, and borrowed other arts from the West. We have almost lost touch with calligraphy’s true essence and origins.

This article is an attempt to rediscover this beautiful art, examining its origin, progress, types, tools, and figures.


* Ahmed Ebeed is the head of Information Unit in IOL. He has a deep interest in Arabic calligraphy. You can reach him at ahmed.ebeed@iolteam.com


The works posted on this page reflect solely the opinions of the authors.

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