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 Sophisticated Tones of War Propaganda

By Ali Asadullah

14/05/2003


The line between what is true propaganda and what is media-related bias has become ever more blurred in the post 9/11 world.

In the more conventional sense, propaganda is information that is willfully spread by a government or other institution in an effort to distort facts and move public opinion in a certain direction. Some of the best examples of this can be found amongst the posters produced by various nations during World War I and World War II, in which gross characterizations of the enemy played upon peoples' fears.

But in the world of Post-modern conflict, propaganda has taken on a much more sophisticated tone. And in an effort to shape public sentiment, a government can use a wide range of tactics to get its message out, often including the recruitment of unwitting information channels.

With news media having achieved global reach, they are often prime targets of government information campaigns. Within the United States, for instance, the government is able to use its “bully pulpit” to insure that it will get coverage of its messages. Since the world is in a state of war, U.S. news media are compelled to cover press conferences from the likes of U.S. Secretary of Defense Donald Rumsfeld, during which Rumsfeld spares no expense in dispensing.

Thus the news media cannot be accused of being true propagandists. However, one can find fault with them for lack of responsibility in their reporting and commentary. This fault was brought squarely into the light when MSNBC news correspondent Ashleigh Banfield spoke disparagingly about her own networks coverage of the war in Iraq and the general coverage by other news outlets.

In a speech given at Kansas State University, Banfield called the American coverage of the war “a glorious and wonderful picture that had a lot of people watching and a lot of advertisers excited about cable news.”

Indeed it was a glorious picture, with news correspondents racing at breakneck speeds across the Iraqi desert atop military vehicles, all thanks to the cleverly crafted “embedding” program devised by the United States to help control the media.

Fearing that they might miss the story of the century to their rivals, the networks all joined the program all too willingly. Commenting on this, and the often sanitized version of news that was broadcast, Banfield noted, "You did not see where those bullets landed. You didn't see what happened when the mortars landed. A puff of smoke is not what a mortar looks like when it explodes, believe me,"

Instead of the impact of the war, viewers received some actual news mixed in with carefully tailored interviews and events arranged by the military that presented little more than patriotic “personality” stories of courage and bravery.

More subtle propaganda comes in the form of language used by U.S. officials. For instance , CNN reported that an Iraqi scientist dubbed by the U.S. government as “Mrs. Anthrax” had been apprehended. Much of the viewing public, will never remember the scientists true name or any details about her alleged involvement in the Iraqi weapons program. Rather, they will remember the name, Mrs. Anthrax, and the sentiment such a name evokes. The same was done with the infamous “Chemical Ali”.

All of these measures, combined with the hawkish commentary of certain print and broadcast pundits, helped pull the proverbial wool over the eyes of Americans. Despite the clear rejection of U.S. actions against Iraq around the world, Americans supported the war.

Overseas, however, the propaganda war took on a different tone and in many ways continues.

The most direct propaganda came in Iraq itself. Prior to the assault on Baghdad, U.S. troops moved from city to city passing out flyers and using actual public relations specialists to convey the American point of view. Once Iraqi communications had been disrupted, the U.S. began flying C-130 mobile broadcast planes over Iraq that ran television and radio messages to the Iraqi people as well some popular Arab music content. In this way, U.S. propaganda reached into the very homes of the Iraqi people.

For the rest of the Arab world, the popularity of satellite television has allowed American cultural messaging to slowly sink and impact the hearts and minds in the region. MBC Channel 2 for instance, provides a steady stream of sitcoms, movies and popular music from the West.

Taken all together, the impact of subtle messaging and overt propaganda is significant. And the steady and patient deployment of these messages suggests that this effort will continue until the hearts and minds in the region are shaped and tailored in a manner that suits outside needs and interests

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