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Megiddo: The Omega Code II was an attempt at professional film production by the evangelical Christian movement
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The
best propaganda is that which the target audience does not recognize as
overtly propagandistic in nature. Other forms of propaganda work, but they
are often dispersed with heavy-handed tactics. For instance, the Bush
administration has a habit of using euphemistic phrases repeatedly in
statements and press briefings. “Weapons of Mass Destruction” is a good
example of this. It is a phrase that is non-specific in meaning, yet quite
emotionally evocative when placed in the carefully crafted context of a
political speech. And although people can clearly see that it is a contrived
catchphrase, the consistent appearance of the phrase in the media impacts
people over time.
The
overt approach to propaganda arguably works best on an audience that is
already inclined to be receptive to the message. However, when trying to
influence an audience where there is some resistance to the message, a more
subtle strategy is possibly more effective.
Take
the case of Christianity in the Arab world. In the early 20th century,
missionaries recognized that it was almost futile to try to convert Muslims
with standard overt tactics. Preaching “the Gospel” simply did not work.
So missionaries chose instead to work with Muslims in charitable and
humanitarian efforts in an effort to lead by example and possibly win hearts
and minds that way.
In
today’s modern world, this more subtle approach has been adopted as policy
by the
U.S.
government. In the wake of 9/11, an effort was made to establish radio
broadcasts in the
Middle East
that would carry not only Arab and American pop music, but also news
reported with a pro-American slant.
The
private sector, whether intentionally or unintentionally, has aided in this
media effort; for it is the private sector that brings American culture into
the homes of Muslims by the millions in the Arab world through satellite
television. In this way, American values, as espoused on shows such as
Friends, Will & Grace and Buffy the Vampire Slayer can be covertly
smuggled into a region that might otherwise reject such values in an overt
forum.
A
recent example of this subtle media-driven campaign for the spread of
American pop culture occurred via the Showtime satellite network. In the
Arab world, Showtime broadcasts a consistent stream of popular films, just
as it does in the
United States
. But in addition to these films, it also broadcasts short segments of
entertainment news and special features about the making of new movies.
One
recent feature examined the special effects technology used in the film
Megiddo: The Omega Code II. The segment ran for approximately 15 minutes and
highlighted the manner in which explosions and other audience pleasing
effects were created. In all, the feature looked much like any other
“making of” special.
What
audiences weren’t told, however, is that Omega Code II is a Christian
evangelical film produced by 8X Entertainment.
In
the
United States
, the movie received only passing recognition from the media. The press it
did get, focused on the fact that it, along with its first installment, The
Omega Code, were two of the first attempts at professional film production
by the evangelical Christian movement. It was always made clear in
America
that these films were intended to win hearts and minds for this Christian
movement.
No
such information was provided in the Showtime special broadcast to largely
Muslim Arab audiences. Omega Code II was instead spun as a simply an
“apocalyptic” film, a genre not uncommon in the film industry these
days.
So
unsuspecting audiences who may have seen the special segment and felt
spurred to purchase the film or watch it when broadcast on television, would
receive a Christian message without realizing that was the intent of the
film. Such is the best type of propaganda.
It
is unclear whether Showtime meant to omit key background information about
Omega Code II for its Arab Muslim audiences. Indeed, the omission may have
been unintentional. But it is suspicious that a film of such marginal box
office performance and limited critical acclaim would even receive a cursory
mention anywhere in the Muslim world.