Umer
Farooq, IOL Correspondent
ISLAMABAD,
May 2, 2006 (IslamOnline.net) – The screening of two Indian films in
Pakistani movie houses after a 40-year ban is attaining political
significance with many seeing cultural bonding as the best way to bring
the peoples of the arch foe neighbors closer.
"We
have allowed the screening of these movies as both these movies reflect
the common historical heritage of Pakistan and India," Zia-ud-din
Khan, the chairman of Pakistan Censor Board, told IslamOnline.net.
Taj
Mahal, a mega budget movie, was premiered in Lahore, considered to be
the cultural center of Pakistan, Friday, 28 April 2006.
Based
on the true story of Emperor Shah Jahan's love for his Wife Mumtaz Mahal
in whose honor he built Taj Mahal, the film has been released with much
fanfare in Karachi, Islamabad, Peshawar, Multan, Hyderabad and
Rawalpindi.
This
came after one of Bollywood's greatest love epics, Mughal-e-Azam, became
the first Indian movie in decades to be officially released in a
Pakistani cinema.
The
two movies are both based on the history of Mughal India with which the
Pakistani society feels historical and cultural affinity.
At
its greatest territorial extent, the Mughal Empire ruled parts of what
is today Afghanistan, Pakistan and most of the Indian subcontinent, then
known as Hindustan, between 1526 and 1707.
The
empire was founded by the Turco-Mongol/Turco-Persian Timurid leader
Babur in 1526, when he defeated Ibrahim Lodi, the last of the Delhi
Sultans.
"Mughal"
is the Persian word for "Mongol". The religion of the Mughals
was Islam.
The
Lahore High Court had dismissed a petition filed by the veteran actor
and president of the Movie Artists Association of Pakistan (MAAP), Yusaf
Khan, to maintain a total ban on the showing of Indian movies.
Indian
movies have not been screened in Pakistani cinema houses since a ban was
imposed on the screening of Indian movies after 1965 war between the two
neighbors.
Bonding
The
movies' screening is being seen as a historical occasion for the
cultural relations and people-to-people contact between the South Asian
rivals.
A
galaxy of Indian actors, directors and producers have visited Pakistan
to participate in the release of Taj Mahal.
Pakistan
Minister for Culture Ghazi Gulab Jamal has asserted that there was no
bond stronger than culture, describing the screening of the movies as a
sign of progress in Pak-India relations.
Indian
State Minister for Culture Ambika Soni, accompanying the movie stars,
said the release of Taj Mahal in Pakistan will further strengthen
dialogue between both countries.
After
long years of tensions the relations between the nuclear rivals are
coming back to normal thanks to an ongoing composite dialogue process.
Despite
hiccups in resolving the political issues the two sides are steadily
moving ahead on the road of improving people-to-people contact.
Since
the partition of India and Pakistan after independence from Britain in
1947, the two countries fought twice over the disputed Himalayan region
of Jammu and Kashmir.
Cinema
Culture
Nadeem
Mandiwala, the distributor of Mughal-e-Azam, believes the screening of
Indian movies would revive the movie-going culture in Pakistan.
"The
screening will give a boost to Pakistan film industry and it will revive
cinema culture in Pakistan which is at the brink of closer," he
told IOL.
Mandiwala
said that in the 80s there were some 1400 cinema houses in Pakistan and
the number has nose-dived to only 250.
"I
am coming to the movie house after 11 years," Rizwan Khan told IOL
after watching Taj Mahal.
But
he did not share Mandiwala's optimism about the long-term impact on the
industry.
"I
don't think there is any guarantee that people will start coming to the
cinema houses after this movie is gone."
Even
after the passage of more than 40 years, the Mughal-e-Azam movie still
maintains its attraction for the Pakistani movie watchers.
"I
watched Mughal-e-Azam on television some 30 years ago and I wanted to
watch it on the cinema screen and that's why I am here," said
Khawar Ayub.
Mughal-e-Azam
story is based on the true love story of Prince Saleem (Later Emperor
Jehangir) and a courtesan, Anarkali.