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Thu. July 6, 2006 / Jumada Thani 10, 1427

Art & Culture > News

Indian States Ban The Code

Deepa Kandaswamy*

India's Supreme Court ruled in June against the appeals of Christian groups to ban the screening of The Da Vinci Code. Still the ban continues in at least five of the 28 Indian states.

On May 28, 2006, The Da Vinci Code was released in India a week later than its worldwide release date. Controversy plagued the release, and hence it was delayed. Unlike its neighbors China and Pakistan, which have completely banned the movie, India has only partially banned it; you can see it in most states, but not in all.

What Da Vinci Code?

Many in India do not even know about the book or movie. Only the initial delayed release and the selective ban in some states has brought it to the attention of many people.

"[I have] never heard of it," says Mohan, an engineering student in his final year. "What is Da Vinci Code? Is it some Italian movie?" When told it was a best selling novel by Dan Brown on which the Hollywood movie was based, Mohan said, "Dan Brown? Never heard of him. What is the fuss about?"

Most people have not heard of The Da Vinci Code because Dan Brown's novel was released here in English, and the English-speaking population of India is estimated at only 10 to 30 percent of the total population. Moreover, not all those who can read and speak English read American novels, which means that very few Indians have even read the novel. When asked why they hadn't called for a book ban but were asking for a movie ban, the Christian Bishop Conference of Bombay cited the lack of popularity of the book as the main reason.

However, the movie version of The Da Vinci Code, apart from being shown in English, was going to be dubbed and released in the numerous Indian languages, a recent tactic employed by Hollywood to increase its audience among the non-English-speaking public who form the majority of Indians. Strangely enough, the dubbed version of the film had titles like Kutra Pathirikai (Crime Report in the Tamil language), though it was banned from being released.

Fanaa Versus The Da Vinci Code

Are you for or against a ban on the film?
Talk about it here.
Read more here:
The Da Vinci Code Film Review
The Da Vinci Code: Why All the Fuss?

Another main reason The Da Vinci Code generated relatively less debate was the simultaneous banning of another movie, Fanaa, in the state of Gujarat. The Hindi movie stars Bollywood's own Aamir Khan. The Gujarat government banned Fanaa not because of content, but because its hero, Aamir Khan, chose to support the Narmada Bachao Andolan (NBA). The organization is a coalition of human and environmental rights activists spearheading a campaign to prevent a height increase of the Sardar Sarovar Dam on the Narmada River for fears it would displace a significant number of villagers in Gujarat.

For now, the truth behind Khan's motivation to join the campaign cannot be judged for a few reasons. For one, the actor continues to endorse Coca-Cola advertisements (Coca-Cola bottling plants in India face constant criticism for draining water, which has taken away the water supply of some villages). Many in India accuse Khan of joining NBA as a public relations stunt to boost Fanaa after the mediocre box-office performances of his most recent productions.

Whatever the reason, the controversy helped to take the spotlight off The Da Vinci Code. In addition to Fanaa hitting closer to home, indications are that the media found it easier to cover the story of its banning and take a stand, for not only is Khan a popular Indian celebrity, but Fanaa is only a love story without any religious content. Its banning was, therefore, easier to criticize.

Triple Disclaimer Demand

Indian protests of the screening of The Da Vinci Code have ranged from candle vigils to hunger strikes. Christians make up roughly 2% of the Indian population.

But before the ban on Fanaa in Gujarat was turned into a burning issue by the media, the big story was The Da Vinci Code. A week before its release worldwide, something strange happened in India. The bizarre sequence of events began when a handful of people representing a previously unheard of Mumbai Catholic Group (MCG) demanded the movie be banned and asked for Indians from all faiths to join a fast unto death.

One of the 24-hour television news channels covered this protest. Not to be beaten, the other 24-hour news channels picked it up too and, to add a new twist, decided to interview people from a wide spectrum of Indian society, most of whom had not read the book and none of whom had seen the movie.

Not to be outdone by MCG, the All Indian Christian Council sent a request to the Indian government demanding that the Hollywood producers include a triple disclaimer with the movie. They wanted the disclaimer "This is a work of fiction" to be added at the beginning and end of the movie in addition to the regular Hollywood disclaimer that is included in all movies, "The characters and incidents portrayed and the names herein are fictitious, and any similarity to the name, character or history of any person is entirely coincidental and unintentional."

Sony Pictures and director Ron Howard turned down the request for the triple disclaimer but agreed to add one extra disclaimer at the end of the movie. This led to a week's delay in the release of the movie in India and the Censor Board of India cleared the movie for release without any cuts but with an "Adults Only" certificate.

Just as the situation began to settle down, state governments initiated their own bans with five Indian states — Punjab, Andhra Pradesh, Nagaland, Tamilnadu, and Meghalaya —refusing to screen the movie.

For the Ban

Official Christian organizations announced that unless a disclaimer was added at the beginning and end of the movie, the movie should be banned. However, they didn't ask for it to be banned completely. Interestingly, the demand for a complete ban came from individuals and groups cutting across religious lines and was not only a issue for Indian Christians.

"Though I've not read the book, I have seen the trailer of the movie on TV," Saritha Reddy, a homemaker in Hyderabad said. "The trailer suggests that Jesus was married and had children. Indians are unique believers in fiction over fact. I think it would cause unnecessary problems and hurt Christian sentiments. So the movie ban is essential."

Basha Mohammed, an engineer, agreed. "I think enlightened figures of any religion shouldn't be ridiculed," he said. "Jesus is considered to be a prophet in the Qur'an. If this had been a movie on a Hindu god or the Prophet, I would have taken the same stand — ban it if it questions the faith. Much has been made of the fact that the movie is not banned in the Western Christian countries. India is different and our culture is different. So it is correct to ban the movie."

"It should be banned all over India," said another woman who did not wish to be identified. "If the Prophet cartoons can't and won't be shown here because it hurts Muslim sentiments, it is only fair to ban the movie as it will hurt Christian sentiments."

Against the Ban

One schoolteacher who would only identify himself as Thomas is against the ban because he says faith is not something that can be destroyed by a movie.

"I'm a Christian. I thought the book was interesting," said Thomas. "I don't think my faith can be influenced by the screening of The Da Vinci Code. Personally, I think it should be left to the people to make a choice on seeing it rather than impose a government ban."

Anandhi Amaranth agreed. "Even if Jesus was married as the book suggests, so what?" she said. "The government has created unnecessary controversy by banning it in certain states. It doesn't diminish my respect for Christianity as a non-Christian. I think most non-Christians are puzzled by the ban. Prophet Muhammad was married and had children as is Lord Shiva and other Hindu gods, but both Muslims and Hindus revere them. Why should it be any different for Christians?"

Other critics of the ban believe it was imposed by the Indian government to appease the religious minorities. "It is called appeasement of the minorities," said Vijay Madugula of Hyderabad. "What else does it mean when a two percent minority oppresses the majority with a fanciful objection and compels the government to act? How is Priyaranjan Das Munshi [Indian cabinet minister who belongs to the ruling Congress Party] qualified to decide whether I should or should not see the movie? Do I question his competence to be a minister following some Italian madam's dictates?"

Jayaseelan Ramasubramanium of Tamilnadu agreed that political motives were behind the decisions to ban the movie. "I most probably wouldn't have watched the movie but I am against the ban," Ramasubramanium said. "They would not have banned it if it had been about Hindu religion or Hindu gods, but our politicians will jump in if it is about any religious minority, for they need to keep their vote bank happy."

Swarmeena Natesan agreed. "Why else did the Tamilnadu government suspend the release of the film? The argument that it will create a law and order problem is shaky as there have been no problems elsewhere in India. The decision is clearly dictated by vote bank politics. The chief minister of Tamilnadu is a declared atheist and has decided to protect religions now?"

But perhaps what has angered people most is the suppression of freedom of expression represented by the ban. "It was absolutely wrong to ban the movie; it is a work of fiction," Debasis Das, a writer said. "If you allow this kind of ban, by extension, no one would be able to write creatively very soon. Whatever character you choose, it has to have color, creed, religion, etc. of some group or other. Then anybody can raise the issue of being offended, even though that character does something, which is a story born from the author's imagination and is therefore fiction and so on. You write a story about how some murderer is punished in a story, someone somewhere can get offended because the murderer was a Hindu or something!"

"I've read the book and didn't find it offensive," Raman Nautiyal, a statistician based in Dehradun said. "The ban on the movie violates the freedom of expression."

Kamal Singh, a media analyst based in Mumbai, said that perhaps the government should focus on more important issues. "The film should not be banned for a number of reasons," Singh said. "[The ban] violates the right to freedom of speech, the censor board cleared [the movie] and no other Christian country has banned it. The book is not insulting at all; in fact, the ending is a damp squib. The controversy is unnecessary. Has the Indian government solved all other pressing problems that it decided to get involved in something like this?"

Da Vinci's Say

The Censor Board of India cleared the movie after much debate and discussion. With five state governments banning the movie, opponents of prohibition have filed claims at high courts in all states of India, though no rulings have been issued yet.

Many people are pointing out the fact that the institution of the ban by individual state governments overrides the authority of the Indian Film Censor Board, thereby questioning the rationale for its existence. But perhaps, most importantly, is the ruling of the Supreme Court of India, which refused to allow the ban. This actually makes it illegal for the movie to be banned.

Meanwhile, state governments maintain the film's screening can affect law and order in the respective states. Still, no film-related incident of violence has been reported anywhere in India where the movie is being shown.

Whether or not the ban will ever be completely lifted, not just in India but in other countries as well, perhaps the opinion of Leonardo Da Vinci himself can assist the decision-makers: "You do ill if you praise, but worse if you censure, what you do not understand."


*Deepa Kandaswamy is an award-winning writer, political analyst, and engineer based in India. Her articles have been published in six continents. Her writing credits include ABC News, Ms., Truth Out, Data Quest, and Middle East Policy. She is the founder-moderator of the International Gender Lobby, a global networking platform for individuals, organizations, and activists interested in working for human rights, peace, and development worldwide. She may be reached at artculture@iolteam.com.

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