The
night was hot and the air, heavy with humidity, resounded with the soft beat of
a dhuff (hand drum). Male voices singing the praises of Allah were heard
over the rhythm of the drum. Their voices rose and fell with emotion. Throngs of
people crowded the outdoor arena, queuing up to savor the global food delights
on offer. Families and friends relaxed, soaking up the atmosphere. A soft
drizzle started to fall, but the rain did not dampen the spirits of those
gathered. On stage, the nasheed artists continued to regale the audience
with their melodies.
It
was the start of the festive season and the coastal city of Durban was packed
with activity. The beaches were filled with celebrators, and elsewhere people
partied into the wee hours of the morning.
At
the Durban Exhibition Centre, a unique event took place. Analogous to a Middle
Eastern bazaar, the annual Souk and Family Trade Fair was held by the Al-Ansaar
Foundation. What started out as a combined Hajj seminar and small flea market in
1999, has grown into the massive event it is today. The 2005 Souk and Family
Trade Fair was a 10-day event, with ticket sales reaching well over 100,000.
Brother
Riaz Jamal, the station manager of Radio Al-Ansaar explained, "The response
to the flea market was enthusiastic, so we saw a niche for alternative
entertainment, which, very importantly, has an Islamic ethos. The idea of the
Souk was born, and we were overwhelmed by the positive reaction from the
public."
In
South Africa, the Muslim community is a minority. Muslims comprise just two
percent of the South African population, but all Muslim communities, including
Indians, Africans, and Middle Easterners were represented at the Souk. The event
is a fusion of South African culture and Islamic heritage. It provides Muslims
with an opportunity to express pride in their Islamic identity. The decision to
hold the event over the festive season was well thought-out. It was held from
December 23, 2005-January 1, 2006 with massive crowds attending over the
weekends.
Asiya
Amod, chief operating officer, elaborated, "This period is holiday season
worldwide. We wanted to attract people from all over the world and, al-hamdu
lillah, we succeeded. We received visitors from Australia, the UK, India,
and the Middle East. But most importantly, we wanted to provide halal
entertainment. We wanted our youth to be in a good environment and not out
partying."
Judging
from the large number of young people, the Al-Ansaar Foundation has indeed
achieved its aim. And equally important, it provided elderly people with a safe
place to spend their time. An old man in his 70s commented, "Many of us old
people are lonely. Our friends have gone and the shopping malls are not for us.
The Souk is good. We can sit and listen to the nasheed [Islamic song]
singers and the radio presenters all day. And the busy atmosphere eases the
emptiness," he added melancholically.
It
is not only Muslims who flocked to the Souk. Many non-Muslims also praised the
sterling service the Al-Ansaar Foundation has provided.
The
indoor area was a hive of activity. Turkish waiters glided through the crowd,
delivering tiny cups of strong coffee and refreshing mint tea. Stallholders
gathered together from all across the globe, most notably from India, Jordan,
Syria, Egypt, Turkey, and Iran. I drifted through a haze of conversations
exchanged in a multitude of languages. A group of Egyptian men, wearing colorful
scarves wrapped around their heads, formed a circle and performed a traditional
folk dance. People gathered, clapping rhythmically. Traditional swords were
brandished, and they whirled round and round, faster and faster, ending to a
crescendo of applause.
A
voice over a loudspeaker called out, "All scarves 10 rand, only 10
rand."
A
rush of women were upon the table in an instant, expertly selecting and
discarding the merchandise. Later, the same scarves went for a mere 5 rand.
Exquisite jewelry enticed shoppers' eyes. Beautiful beaded abayas begged to be
bought. Intricate, embroidered bed throws and pillowcases purred to be slept on.
Punjabi clothes, flowing peasant skirts, kurti shirts, flat sandals, high
heels, and handbags — all were beaded and dazzling to the eye.
At
the indoor stage, a muezzin called out the Adhan. His clear, strong voice rang
through the hub of the crowd, silencing the faithful to sweet surrender. Men,
women, and children all prostrated before God in prayer.
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Talib al-Habib
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After
the `Isha' Prayer, Hafiz Wadi, a Radio Al-Ansaar presenter, introduced the
highlight of the Souk — the nasheed festival. The line-up of performers
was impressive, with Talib al-Habib from the UK, Sheikh Ghazzali of Australia,
and Inayat Petker from America. South Africa also had a magnificent repertoire
of artists of its own represented at the festival, including Shaheed Al-Kawn,
Zain Bhikha, and Arif Subrathie, from Cape Town, and Reyhaan girls group from
Port Elizabeth.
Talib
al-Habib is undoubtedly the most popular artist on the program. His debut album Songs
of Innocence provoked tears to roll openly down the cheeks of many.
Songs
of Innocence is dedicated to his two beautiful
little girls who provided the inspiration for the song:
To listen to a sound-bite from Talib al-Habib's album, click
here
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|
You
lie there on your bed, with your sleepy eyes and your weary head. Rest and dream
till morning comes again. I will sing my songs of innocence … So many roads
before you spread. May the way, my child, lead you to our beloved friend.
Talib
al-Habib is not only a psychiatrist, but also a student of tasawwuf (or
Sufism, the Islamic science which focuses on the purification of the heart). He
inspired the listeners of Radio Al-Ansaar with his talks on spirituality and
advice on how to deal with the problems they face in life. He is a seeker of the
Beloved, and his personality is as intriguing as his nasheeds. On his
artistry he says, "I express my thoughts through my music and poetry. I am
inspired by my wife and kids." Although he is accustomed to performing
regularly on stage with other artists in the United Kingdom, Talib al-Habib
expressed his satisfaction at the world-class line up at the Al-Ansaar Souk.
One
of the other performers, Shaheed Al-Kawn, is a talented artist who makes use of
"beat-boxing" (producing rhythmic sounds with the hands and mouth) in
his songs. His style varies from mellow to rap, and he is a favorite with the
younger crowd. As with Talib al-Habib, singing is not his only talent. Al-Kawn
is an experienced radio presenter and martial arts expert, and the visitors of
the Souk are fascinated by his display of Capoeira, a spectacular Brazilian art
form that combines martial arts with acrobatics, music, and dance. Al-Kawn's
albums are very popular in the United Kingdom and America, but South Africans
are still conservative about Muslim rap.
It
was well past midnight and activity slowly died down. The nasheed
artists were reluctantly excused by the audience — some of whom wanted them to
continue until dawn. Tired children yawned and were gathered up in their
parents' arms. Stallholders packed up their wares and the venue emptied.
Everybody headed home to a well-earned rest.
**
Bibi Ayesha Wadvalla is a South African freelance writer and radio
presenter. You can contact her at artculture_egypt@yahoo.co.uk.