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Robin Hood and the Muslim Merry Man
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By Muhammed
Abdelmoteleb**
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August
28, 2005
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Mark
Ryan as Nasir in Robin of Sherwood
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Robin
Hood, Robin Hood riding through the glen
Robin
Hood, Robin Hood with his merry men
Loved
by the good, feared by the bad
Robin
Hood…Robin Hood…Robin Hood
Thus
resounded the theme tune to the 1950s’ TV series The Adventures of Robin
Hood, starring Richard Greene. The English legend of Robin Hood,
wherein a hero with his band of outlaws in Sherwood Forest steals from the rich
to give to the poor, is over six hundred years old. Since its inception the
legend has taken on the form of ballads, plays, novels, TV, and film adaptations
(the first in 1909), the most famous of which is probably the 1938 Errol Flynn
film. Throughout the years we have come to know the traditional outlaws and
companions of Robin Hood: Little John, Friar Tuck, Maid Marian, Will Scarlett,
among others. Of course every hero needs an enemy, and Robin Hood’s has
traditionally taken the form of the Sheriff of Nottingham and Guy of Gisbourne.
In
19th century novels of the legend, Muslim villains began to appear. One was
called Suleiman in Maid Marian, the Forest Queen. However, since the
1980s a Muslim merry man and companion of Robin Hood has become as established
as the rest of the outlaws. This extraordinary addition to the legend came about
with Richard Carpenter’s British TV series Robin of Sherwood, which
added the character of Nasir. Nasir (played by Mark Ryan) was originally only
supposed to appear in the very first episode of Robin of Sherwood as a
servant of the evil sorcerer Simon De Belleme, who had brought him back from the
Crusades. Nasir was supposed to be killed off by Little John, but actor Mark
Ryan was so popular on set that he was asked if he would like to continue to
play his Muslim character. Ryan agreed and thus was created the first Muslim
member of Robin Hood’s outlaws in six hundred years. Nasir in the TV series is
often silent and sober; he is often seen sitting crossed-legged after his
morning prayers in Sherwood Forest while the rest of the outlaws are still
asleep. In one episode, the outlaws are invited by King Richard to Nottingham
castle and get drunk, while Nasir does not touch a drop of alcohol and appears
stoical through the merry men’s revelry. He is a skilled and noble fighter,
often fighting with two swords.
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Morgan
Freeman as Azeem in Robin Hood: Prince of Thieves
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In
one episode of Robin of Sherwood that Muslims today would do well to take
note of, called “The Children of Israel,” the Sheriff of Nottingham
falls in debt to a Jewish money lender. Unable to pay it off, the Sheriff
decides the only way out is to play on the English people’s deep anti-Semitic
feelings and incite a riot against the Jewish community in Nottingham. The
Sheriff recounts the outbursts of attacks against Jews at the coronation of
Richard I, (“It’s a good way as any to celebrate,” he remarks) and talks
about other attacks against Jews. His plan succeeds and the small Jewish
community is massacred, but the money lender and his family manage to escape to
Sherwood Forest, where they are found by Robin Hood and his band of outlaws. The
sight of the children of the family moves Nasir and they speak to him. “They
are Jewish”, he tells the others. “Can you speak their tongue Nasir?”,
asks Little John. “A little,” replies Nasir and looks tenderly at the
children and says, “Ash-shalom alaykum.” The Jewish children, pursued by the
anti-Jewish English mobs, could not be safer now that they are in the hands of a
Muslim.
Nasir’s
character was so established and admired that the writers of the 1991 Kevin
Costner film Robin Hood: Prince of Thieves decided to use him in their
film. However, for legal reasons they changed the name of the Muslim character
to Azeem, who was eventually to be played by Morgan Freeman. Like Nasir, Azeem
is also brought back from the Crusades, but this time by Robin Hood. The film
starts with a cringingly stereotypical scene in Jerusalem in which a pre-dawn
call to prayer is juxtaposed with a scary Arab Muslim prison guard who is about
to cut off Robin Hood’s hand for stealing bread. “This is English
courage,” Robin declares as he prepares for his punishment. However, he
manages to escape and frees Azeem (who was about to be executed) in the process;
Azeem says he must accompany Robin because he saved his life. Together they head
for England. Upon returning, Robin, who is a noble, discovers his father has
been killed and resolves to become an outlaw to serve the poor.
Throughout
the film Azeem is referred to as “the barbarian” but is presented as being
more civilized than the English. We see him searching for the sun to determine
the direction of Makkah, but when he prays, because he is a Hollywood Muslim, he
does not know to pray properly! In one scene we see Robin and Azeem searching
for the villainous Norman soldiers. Azeem pulls out a primitive telescope and
spots them through it. He hands the telescope to Robin for him to see; Robin
jumps back and pulls out his sword thinking the soldiers are closer than they
actually are. Azeem shakes his head and says sadly to Robin, “How did your
ignorant kind ever take Jerusalem?” Later, Little John’s wife goes into
labor in the forest but has difficulties. Azeem says he knows he to deliver the
breech baby by caesarean section. We hear screams from Little John’s wife, and
Friar Tuck, in a moment of anti-Muslim malice, declares, “I tell you the
barbarian is killing her.” But the healthy baby is delivered and Robin remarks
to Azeem, ”You truly are a great one.” Again, the Muslim character is also
shown as a skilled fighter, with Azeem slashing down enemies with his scimitar
sword and using gunpowder to make explosives. At the end of the film, as a mark
of his dignity and Muslim character, Azeem stands while all the outlaws kneel as
King Richard enters the forest.
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Rassan,
mark Ryan’s Muslim character for a comic book Robin Hood story
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So
popular has this Muslim outlaw become that it has become the subject of spoofs.
In the 1980s and 1990s Tony Robinson (formerly Baldrick from Blackadder)
wrote Maid Marian and Her Merry Men for the BBC. This comic version
retold the legend casting Maid Marian as the true leader of the band of outlaws
and Robin Hood as wimpish and narcissistic. Robinson also sent up the Muslim
character with Barrington, a black Rastafarian, complete with dreadlocks. Mel
Brooks also aped the character in his comedy Robin Hood: Men in Tights, where
the rap-singing outlaw is called Asneeze.
Such
is the familiarity of the Muslim merry man that people now regard him as part of
the established tradition, along with Little John, Friar Tuck, Maid Marian, and
others. There was also a Muslim outlaw called Kamel in the 1990s’ TV series The
New Adventures of Robin Hood. Allen Wright, who has a Web site devoted to
the Robin Hood legend (www.boldoutlaw.com),
mentioned this to Mark Ryan, the actor who played Nasir and who even created a
Muslim character called Rassan for a comic book Robin Hood story:
http://www.boldoutlaw.com/robint/ryan1.html
Wright:
People who have visited my website were completely amazed that the Arab Merry
Man only dates back to the 1980s.
Ryan:
Well, the interesting thing is, Allen, that probably the more you delve into
this that there is a tradition, and I only found this out after I had done the
show, that the Crusaders, particularly the Templars, came back from the
Crusades with a lot of Arabic influences. They did all kinds of deals and
trades with the Assassins and the members of the Muslim sects. And they
actually brought back Arabs with them to Britain. There was actually a small
colony of Arabs living in Staffordshire at one point, and I believe the
British people called them Baileys. They were thought of as being gypsy/Arabic
blood lines. They were in little groups of villages almost called bailees.
Again there's the Arab/Jewish influence in Ivanhoe. So, in reality, there
probably was, although it wasn't common, a substantial Arabic influence.
Particularly on the Crusaders and particularly on the Templars. So all we did
really was rediscover it. We brought something out that probably existed
already.
Maybe
having a Muslim hero figure in such an old English legend can promote better
understanding and dilute the notion of the Muslim as the age-old and present day
enemy.
**Muhammed
Abdelmoteleb is
the head of English at an international school in Cairo. He is a graduate of
both the University of Wales, Cardiff, and Cambridge University, and has been a
contributor to Q-News, the British Muslim magazine. He currently resides in
Cairo with his wife. You can contact him on mabdelmoteleb@gmail.com.
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